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Analysis tools:  | ||||||||||||||||||||||||||||||||||
| activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | |||||||||||||||||||||||||||||||||
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	suspension
	 | Suspensions in the music are marked in red. | |||||||||||||||||||||||||||||||||
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	dissonant
	 | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | |||||||||||||||||||||||||||||||||
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	parallel 
	 | 4 parallel fifths marked in red in measures 16, 79, 82, and 381. | |||||||||||||||||||||||||||||||||
| piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). | |||||||||||||||||||||||||||||||||