Data formats: | ||||||||||||||||||||||||||||||||||
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Analysis tools: | ||||||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | |||||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | |||||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | |||||||||||||||||||||||||||||||||
parallel | 3 parallel octaves/unisons marked in green in measures 15, 24 and 122. 15 parallel fifths marked in red in measures 25, 30, 46, 50, 67, 100, 107, 108, 113, 115, 116, 123, 127, and 131. | |||||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |