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Analysis tools: | ||||||||||||||||||||||||||||||||||
| activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | |||||||||||||||||||||||||||||||||
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suspension
| Suspensions in the music are marked in red. | |||||||||||||||||||||||||||||||||
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dissonant
| Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | |||||||||||||||||||||||||||||||||
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parallel
| 4 parallel octaves/unisons marked in green in measures 173, 346, 347 and 392. 9 parallel fifths marked in red in measures 26, 27, 113, 127, 150, 226, 261, 270, and 357. | |||||||||||||||||||||||||||||||||
| piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). | |||||||||||||||||||||||||||||||||