Data formats: | ||||||||||||||||||||||||||||||||||
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Analysis tools: | ||||||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | |||||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | |||||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | |||||||||||||||||||||||||||||||||
parallel | 4 parallel octaves/unisons marked in green in measures 173, 346, 347 and 392. 9 parallel fifths marked in red in measures 26, 27, 113, 127, 150, 226, 261, 270, and 357. | |||||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |