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| Analysis tools: | ||||||||||||||||||||||||||||||||||
| activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | |||||||||||||||||||||||||||||||||
| suspension | Suspensions in the music are marked in red. | |||||||||||||||||||||||||||||||||
| dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | |||||||||||||||||||||||||||||||||
| parallel | 4 parallel fifths marked in red in measures 10, and 45. | |||||||||||||||||||||||||||||||||
| piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). | |||||||||||||||||||||||||||||||||