Data formats: | |||||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||||
Analysis tools: | |||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | ||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | ||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | ||||||||||||||||||||||||||||||
parallel | 4 parallel octaves/unisons marked in green in measures 46, 48, 50 and 74. 2 parallel fifths marked in red in measures 7, and 34. | ||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |
Data formats: | |||||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||||
Analysis tools: | |||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | ||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | ||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | ||||||||||||||||||||||||||||||
parallel | 4 parallel octaves/unisons marked in green in measures 46, 48, 50 and 74. 2 parallel fifths marked in red in measures 7, and 34. | ||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |