Data formats: | |||||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||||
Analysis tools: | |||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | ||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | ||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | ||||||||||||||||||||||||||||||
parallel | 3 parallel fifths marked in red in measures 6, 12, and 14. | ||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |
Data formats: | |||||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||||
Analysis tools: | |||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | ||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | ||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | ||||||||||||||||||||||||||||||
parallel | 8 parallel fifths marked in red in measures 7, 11, 22, 57, 61, 85, 90, and 106. | ||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |
Data formats: | |||||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||||
Analysis tools: | |||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | ||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | ||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | ||||||||||||||||||||||||||||||
parallel | 2 parallel octaves/unisons marked in green in measures 142 and 206. 11 parallel fifths marked in red in measures 22, 31, 43, 49, 53, 74, 87, 144, and 210. | ||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |
Data formats: | |||||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||||
Analysis tools: | |||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | ||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | ||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | ||||||||||||||||||||||||||||||
parallel | 6 parallel fifths marked in red in measures 16, 24, 116, 127, 132, and 186. | ||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |
Data formats: | |||||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||||
Analysis tools: | |||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | ||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | ||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | ||||||||||||||||||||||||||||||
parallel | 3 parallel fifths marked in red in measures 30, and 41. | ||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |