Data formats: | |||||||||||||||||||||||||||||||
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Analysis tools: | |||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | ||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | ||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | ||||||||||||||||||||||||||||||
parallel | 6 parallel fifths marked in red in measures 40, 49, and 80. | ||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |
Data formats: | |||||||||||||||||||||||||||||||
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Analysis tools: | |||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | ||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | ||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | ||||||||||||||||||||||||||||||
parallel | 1 parallel fifth marked in red in measure 203. | ||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |
Data formats: | |||||||||||||||||||||||||||||||
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Analysis tools: | |||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | ||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | ||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | ||||||||||||||||||||||||||||||
parallel | 7 parallel fifths marked in red in measures 22, 28, 43, 44, 171, 246, and 264. | ||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |
Data formats: | |||||||||||||||||||||||||||||||
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Analysis tools: | |||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | ||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | ||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | ||||||||||||||||||||||||||||||
parallel | 1 parallel octave/unison marked in green in measure 94. 4 parallel fifths marked in red in measures 14, 65, 122, and 172. | ||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |
Data formats: | |||||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||||
Analysis tools: | |||||||||||||||||||||||||||||||
activity | Cumulative articulation data and plots which count the number of note attacks in each measure. | ||||||||||||||||||||||||||||||
suspension | Suspensions in the music are marked in red. | ||||||||||||||||||||||||||||||
dissonant | Dissonances of a 2nd or 7th are marked in green. Fourths above the lowest note in a sonority are marked in red. | ||||||||||||||||||||||||||||||
parallel | 5 parallel fifths marked in red in measures 10, 35, 52, and 76. | ||||||||||||||||||||||||||||||
piano roll | Graphical notation of music in a piano-roll format. Voice-to-color mapping: Superius Altus Tenor Bassus Contra (click on resulting image to zoom in). |